Cinematographer Owen Roizman takes a turn at operating during rehearsals, riding the “floating” platform built by key grip Eddie Quinn, who is maneuvering the rig with the help of dolly grip Jack Volpe. Camera operator Enrique Bravo observes from the railings.
Soft-lighting the scene from a muslin-draped ceiling allowed the camera to see for virtually 360 degrees and removed most unwanted shadows.

Cinematographer Owen Roizman takes a turn at operating during rehearsals, riding the “floating” platform built by key grip Eddie Quinn, who is maneuvering the rig with the help of dolly grip Jack Volpe. Camera operator Enrique Bravo observes from the railings.

Soft-lighting the scene from a muslin-draped ceiling allowed the camera to see for virtually 360 degrees and removed most unwanted shadows.

18 February, 2012 109 notes
Tags: #The Exorcist #Owen Roizman #Behind The Scenes

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  10. comicalhorror reblogged this from theexorcist and added:
    Why everyone who says “The Exorcist is lame and has bad effects” can sit the fuck down. THIS KIND OF CAMERA SHOT DID NOT...
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    It’s crazy how things have changed since!
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    reading this atm
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