Cinematographer Owen Roizman takes a turn at operating during rehearsals, riding the “floating” platform built by key grip Eddie Quinn, who is maneuvering the rig with the help of dolly grip Jack Volpe. Camera operator Enrique Bravo observes from the railings.
Soft-lighting the scene from a muslin-draped ceiling allowed the camera to see for virtually 360 degrees and removed most unwanted shadows.
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