Linda Blair relaxes in the make-up room on the set of The Exorcist alongside her mechanical, head-spinning dummy double built by special effects technician Marcel Vercoutere and make-up artist Dick Smith.

Linda Blair relaxes in the make-up room on the set of The Exorcist alongside her mechanical, head-spinning dummy double built by special effects technician Marcel Vercoutere and make-up artist Dick Smith.

September 29, 2010 - Linda Blair attends a screening of The Exorcist at The Museum of Modern Art to promote the release of The Exorcist: Extended Director’s Cut on Blu-ray and DVD.

September 29, 2010 - Linda Blair attends a screening of The Exorcist at The Museum of Modern Art to promote the release of The Exorcist: Extended Director’s Cut on Blu-ray and DVD.


The power of Christ compels you! The power of Christ compels you! The power of Christ compels you!

The power of Christ compels you! The power of Christ compels you! The power of Christ compels you!


Mike Oldfield - Georgetown/Tubular Bells

Production sketch of Chris MacNeil’s bedroom interior by production designer Bill Malley.

Production sketch of Chris MacNeil’s bedroom interior by production designer Bill Malley.

Production sketch of the MacNeil house kitchen interior by production designer Bill Malley.

Production sketch of the MacNeil house kitchen interior by production designer Bill Malley.

Production sketch of the MacNeil house by production designer Bill Malley.

Production sketch of the MacNeil house by production designer Bill Malley.

Storyboard sketch by production designer Bill Malley.

Storyboard sketch by production designer Bill Malley.


He broke the bread, gave it to his disciples, and said, “Take this, and eat it. This is my body.”

He broke the bread, gave it to his disciples, and said, “Take this, and eat it. This is my body.”

The Exorcist poster by Mark Welser.

The Exorcist poster by Mark Welser.

Storyboard sketch by production designer Bill Malley.

Storyboard sketch by production designer Bill Malley.

Production sketch of the Pazuzu statue seen during the film’s prologue in Iraq by production designer Bill Malley.

Production sketch of the Pazuzu statue seen during the film’s prologue in Iraq by production designer Bill Malley.

Storyboard sketch by production designer Bill Malley.

Storyboard sketch by production designer Bill Malley.